$uicideboy$ Here We Go Again Album
| Here We Get Once more | ||||
|---|---|---|---|---|
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| Studio album by Demi Lovato | ||||
| Released | July 21, 2009 (2009-07-21) | |||
| Recorded | February–April 2009 | |||
| Genre | Pop stone[1] | |||
| Length | 46:fifty | |||
| Label | Hollywood | |||
| Producer |
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| Demi Lovato chronology | ||||
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| Singles from Hither Nosotros Go Once again | ||||
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Here We Go Again is the second studio album past American singer Demi Lovato. Information technology was released on July 21, 2009, through Hollywood Records. Unlike their previous anthology, Don't Forget (2008), Lovato did not collaborate with the Jonas Brothers, as they wanted to work with different people and give the album a personal arroyo. Lovato collaborated for the album with established songwriters and producers, such as E. Kidd Bogart, Gary Clark, Toby Gad, John Mayer, Jon McLaughlin, Lindy Robbins and John Fields, who produced their previous album Don't Forget.
Here We Go Once more derives mainly from the pop rock genre,[2] mixed with influences of ability pop, jazz-pop, soul and pop.[3] [4] Lovato described the anthology as more "relaxed" than their previous album, while exploring more than mature sounds and lyrics. Critical reception of the album was positive; critics praised Lovato for not relying on song manipulations and instead showing off their natural ability. Although some critics called the album catchy, others felt that information technology was predictable and at times too much akin Kelly Clarkson. In the United States, the album debuted at number one on the Billboard 200 selling 108,000 copies during its first week of release, becoming the 8th solo artist to chart on the Billboard 200 nether the age of 18.[5] Since its release, the album has sold over 500,000 copies in the The states, and has been certified Gilt by the RIAA.[6] Internationally, the album peaked inside the elevation xl on charts in Australia, Brazil, Canada, Hellenic republic, Mexico, New Zealand and Spain. It was certified platinum in Brazil.
"Here We Get Again" was released as the atomic number 82 single from the album on June 23, 2009, and was Lovato's first solo single to reach the top 20 on the Billboard Hot 100, peaking at number 15, and has been certified platinum past RIAA. "Remember December" was the second and last unmarried only in Europe on January 18, 2010. To promote the album and their debut effort, Lovato embarked on their outset concert tour, entitled Demi Lovato: Live in Concert.
Background [edit]
Lovato was discovered by the Disney Channel during an open up call audition in their hometown of Dallas, Texas and fabricated their debut on the brusk series As the Bell Rings in 2007.[7] They later auditioned for a function on the idiot box series Jonas, but did not get the part.[7] Instead, they received the main role in the television film Camp Rock after singing for the network executives.[vii] Subsequently, they auditioned for a role on the series Sonny with a Chance, which they also received.[8] Lovato enlisted the Jonas Brothers, their Army camp Stone co-stars, to work with them on their debut studio album, Don't Forget (2008).[ citation needed ] The writing began during filming of Camp Rock in 2007 and continued on the ring's Look Me in the Optics Tour in 2008.[8] [9] Lovato wanted to establish themselves as a musician with the anthology, and not being known equally just "the person from Campsite Rock."[8] They said that their goal was to have fun on the album and that they would tackle deeper themes on their sophomore attempt.[10]
The album was released in September 2008 and debuted at number two on the Billboard 200 nautical chart.[11] Lovato recalled the feel, "It was like, O.K., you lot've done it. You're no longer just succeeding because you lot're in a motion picture with the Jonas Brothers. These people bought your music for yous."[7] Later in Feb 2009, Lovato's first headlining sitcom, Sonny with a Chance, premiered on Disney Aqueduct.[7] Don't Forget was certified Aureate by the Recording Manufacture Association of America (RIAA)[12] and spawned three singles, "Get Dorsum", "La La Land", and its title track "Don't Forget".[7] In January 2009, Lovato announced to MTV News that they had already begun writing songs for their second studio album, as well as revealing its approach: "It's going to take a different sound, so hopefully it goes over well. I sing a lot of rock, but this time I want to do more John Mayer-ish type of songs. Hopefully I can write with people like him. I beloved his music — it would be amazing."[thirteen]
Development [edit]
In February 2009, Lovato started to work on and record their second album, right after filming the start flavor of Sonny with a Run a risk. In April 2009, Lovato explained about the album's process and collaborating with songwriters from the album including Jon McLaughlin and The Academy Is... atomic number 82 vocalizer William Beckett.[fourteen] According to Lovato, the album'south writing process was about finished in simply two weeks, noting that they "basically went from full fourth dimension acting fashion to full time anthology fashion".[14] Equally they wanted to attain more "John Mayer-ish blazon of songs",[13] they contacted Mayer'due south direction in order to interact with him, citing him as one of their biggest musical influences.[xv] Mayer accepted the offer, of which Lovato said, "I was completely shocked [that he said yes]. It was more of a pipage dream. I didn't ever think it would be a reality, but it came true. He was taking a chance on working with a younger artist in the pop realm."[15] The two wrote three songs together, "World of Chances", "Honey is the Reply" and "Shut Up and Beloved Me".[15] [xvi] Lovato said that it was intimidating to work with him as they were worried that he would not like their lyrics, and they would get "super excited" whenever he complimented them.[17] "World of Chances", the first song Lovato and Mayer wrote, was the only of these songs to make the album'southward final cut.[16] The song was inspired past Lovato's first feel of love and heartbreak.[eighteen]
Lovato collaborated with Beckett on a vocal titled "For the Love of a Daughter". Although not planning to write a personal song, a "really long talk" with Beckett resulted in the vocal being written.[16] The vocal chronicles Lovato'southward human relationship with their estranged birth father, who left the family unit when they were two years old.[15] In the vocal, they plead with their father to "put the bottle downwards" and questions him: "How could you put your hands on the ones that y'all swore yous loved?"[xix] The vocal was set to appear on the album, but Lovato and their management felt of the song's subject would be likewise much for their young audience and afterward was removed from the album.[7] [eighteen] In an interview with Women's Wear Daily, they explained: "When I took a step back, I realized I wouldn't like those subjects being talked nearly in somebody else's dwelling house, with a seven-year-old and their mom."[18] Several other "emotional" songs were also put on concord.[18] The song later appeared on their 3rd studio album Unbroken released in September 2011, when Lovato had left Disney Channel.[nineteen]
Unlike their beginning studio album, Don't Forget, Lovato did not collaborate with the Jonas Brothers on Hither We Get Once more equally they wanted to see what their sound would be similar without their input.[15] "They were the only people I'd always written with. In one case I wrote with unlike people, I wanted to get with that", they told the New York Daily News.[fifteen] They said that their commencement album was "very Jonas" and that Here We Get Once again is "a piddling bit more like what's coming from my heart. It's more me."[8] However, Lovato did work with Nick Jonas on the song "Cease the World".[16] The majority of the album was produced by John Fields, who also handled product on Don't Forget.[vii] Other tracks were produced by SuperSpy, Gary Clark, Andy Dodd and Adam Watts.[20] "Catch Me" is the only song on the album for which Lovato received sole writing credit.[vii] In an interview with The New York Times, they revealed that they wrote it in their room and that information technology means more to them than the residuum of the anthology.[vii]
Composition [edit]
American pop stone singer Jon McLaughlin (pictured) was one of the many collaborators worked on the album.
Here We Go Again explores more than mature sounds than Don't Forget,[26] with Lovato describing the project as "more than relaxed and more mature" with a "soulful edge".[18] The lyrics are more than personal than on their debut album equally most of it was inspired by their experiences of dear and heartbreak.[xviii] They stated that the album does not hold a detail theme as they wanted the songs to be "just more mature, more of me".[17] The album derives mainly from the genre of pop rock.[ii] Speaking to New York Daily News, Lovato said that the album's musical mode includes "less rock and more mellow stuff", with a twist of R&B.[15] "Hither We Go Once more" is the first runway of the album was written and produced by SuperSpy. The lyrics of the song chronicle Lovato's on-off relationship with an indecisive boy, singing that "Something about you lot is and then addictive".[21] "Solo", the second rail, was co-written by Lovato and produced by John Fields. The runway is a breakup song with lyrics about self-respect.[21] "U Got Nothin' on Me", another SuperSpy production, includes influences of 1980s glam metal, in this song, Lovato reminisces a summer romance that took a tumble which takes a toll on their relationship, only in the cease, they realize they're fine on their own.[26]
"Falling Over Me" was co-written past Lovato and Jon McLaughlin and produced by Fields. The song features a "hypnotic" bassline and lyrics about Lovato praying that their crush will notice their affection: "I'yard hoping, I'chiliad waiting, I'm praying you are the one".[21] [26] According to Margaret Wappler of Los Angeles Times, Lovato's vocals in the song residual "effeminateness and strength".[27] On the fifth track, "Quiet", Lovato longs for a "communication breakthrough" in an bad-mannered relationship, lament that "It'southward too repose in hither".[21] [22] "Take hold of Me" is an audio-visual ballad with a stripped-downwards production, written by Lovato themselves.[28] The vocal speaks of an unhealthy honey connection, with Lovato going on fifty-fifty though they know "how desperately this will hurt me".[21] The seventh track, "Every Fourth dimension You Lie", is a vocal with jazz influences and a "jaunty '70s vibe".[3] [26] Kerri Mason of Billboard commented that the song "swings like Maroon 5's brand of radio soul". The song tells about cocky-respect and not putting up with lies in a human relationship.[28] "Got Dynamite" was written by Gary Clark, E. Kidd Bogart and Victoria Horn and produced by Clark. The vocal features "ricocheting" synthesizers and a scattering popular punk riff.[i] The lyrics use "violent metaphors" as invitations for a boy to "blow up" Lovato'southward defenses, with lines such as "Log in and try to hack me" and "Kick senseless, my defenses".[21]
The ninth track, "Stop the Earth", was co-written by Lovato and Nick Jonas well-nigh falling in love with someone, but "people don't want you to".[sixteen] The song includes a reference to the infamous criminal couple Bonnie and Clyde: "Like Bonnie and Clyde, allow's find a ride."[21] Lovato wrote the album's tenth track, "World of Chances", with John Mayer. According to Allison Stewart of The Washington Mail, the ballad showcases the "rough grain" of Lovato'southward vox. The song tells nigh a daughter giving a boy she loves chances to fix their human relationship but keeps messing upwardly.[23] "Remember December" diverges from Lovato's usual popular rock sound into more than prominent power pop and synthpop with "a scrap of techno".[iii] [25] [29] In the song, they reminisce a winter romance: "I remember us together / With a promise of forever."[i] [25] The 12th and terminal track "Everything Y'all're Non" was co-written by Toby Gad, Lindy Robbins and Lovato. The lyrics chronicle self-respect equally Lovato sings "I desire a gentleman who treats me like a queen/I demand respect, I need love/Zip in betwixt."[21] The first bonus rails of the album, "Souvenir of a Friend", was co-written and produced by Adam Watts and Andy Dodd. The song is nigh not being able to "pursue our aspirations or deal with disappointments" without friends.[21] The 2nd bonus track, "And then Far, So Keen", was written and produced by Aris Archontis, Jeannie Lurie and Chen Neeman and served every bit the theme vocal of Sonny with a Run a risk.[3] The "stomping" ability pop song is well-nigh chasing your dreams.[3] [21]
Critical reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | 65/100[30] |
| Review scores | |
| Source | Rating |
| Allmusic |    [3] |
| The Arizona Republic | [31] |
| Billboard | favorable[28] |
| The Buffalo News | [32] |
| Amusement Weekly | B−[22] |
| Houston Relate | [26] |
| Los Angeles Times | [27] |
| PopMatters | 5/ten[1] |
| Rolling Stone | [33] |
At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 65, based on six reviews, indicating "mostly favorable reviews."[30] Margaret Wappler of Los Angeles Times rated the album 3 stars out of five and noted the Kelly Clarkson influences, writing that "For the majority of the album, Lovato channels a witty, pouty ingenue in high heels who's not afraid to call the shots, particularly subsequently a good cry."[27] Rating the album three and a half stars, Stephen Thomas Erlewine of Allmusic noted the album'south "mature veneer" and the "subtle shift cached underneath the relentlessly cheerful Radio Disney production and Lovato'south irrepressible spunk", writing that "Both sonic characteristics tend to camouflage Demi's biggest moves abroad from teen pop."[3] Erlewine called the album "Not quite as much fun [as Don't Forget], simply nonetheless fun".[iii] The Arizona Republic critic Ed Masley gave the album 3 and a one-half stars and recommended information technology for power pop fans.[31]
Entertainment Weekly 's Simon Vozick-Levinson graded the album B− and praised the "hard-edged" tracks such every bit "Got Dynamite", calling them suggestions of "a direction that might gear up [them] apart in years to come".[22] Houston Chronicle critic Joey Guerra rated the album three stars and wrote: "Despite the Disney automobile'southward presence, Here We Go Again doesn't rely as well heavily on 'tween trends, instead relying on Lovato's penchant for rock-drama and teaming [them] with a slew of older, established acts."[26] Kerri Mason of Billboard praised the anthology for non relying heavily on production and Automobile-Tune, calling Lovato "a natural talent who could really take flying after outgrowing Disney".[28] Mason wrote that the album includes "quiet surprises" and potential hits, particularly praising the title track and "Take hold of Me".[28] Jeff Miers from The Buffalo News rated Here We Go Again two and a half stars out of iv, writing: "Dissimilar so many of [their] Disney-fied peers, Lovato tin really sing, and part of what makes [their] sophomore endeavor highly-seasoned is the lack of in-studio song manipulation."[32] Miers wrote that it is "refreshing" that Lovato does non need Motorcar-Tune "to mask whatever lack of natural power".[32] He concluded past calling the album "safe and pretty predictable, but also incredibly tricky".[32]
Allison Stewart of The Washington Post referred the album to as a "smart, bristly, busy sophomore disc", writing that "Also much of it apes Avril Lavigne, with the standard shouted choruses and hiccupped verses that are beginning to sound very '03."[23] Stewart named "Every Time You Lie" and "World of Chances" as "direction signs pointing to a much more interesting career".[23] Awarding the anthology five out of ten points, Cody Miller of PopMatters was mixed in his review and said that Lovato "desperately wants to exist Kelly Clarkson", writing "Lovato can't work miracles with mediocre popular songs like Clarkson, only the young singer-actress has a bigger range than any of [their] contemporaries, and a better sense of on-tape charisma."[1] Miller was mixed regarding album's content, maxim that "there's naught that really separates the tracks from each other. Most of the album'southward up-tempo numbers merely alloy together."[one] He concluded his review: "Here We Go Again isn't perfect by whatsoever means, and when compared to someone like Clarkson or Pinkish, it's obvious the young singer has lots of work ahead of [them] if [they desire] to truly cement [themselves] as a serious, feasible pop/rock artist outside of the Disney mold. But given the context, Here We Go Again is certainly enjoyable to some scale."[one] Rolling Rock gave the album iii stars out of five, saying "Lovato has chops and spunk akin to a fellow Texas pop singer, though [their] voice doesn't churn with Kelly Clarkson'due south gutsy heart yet."[33]
Commercial performance [edit]
Lovato performing "Catch Me" during A Special Night with Demi Lovato
In the U.s.a., Hither We Go Again debuted at number one on the Billboard 200 chart with 108,000 copies sold in its beginning calendar week.[34] The effigy was an improvement over the first-week sales of Don't Forget, which moved 89,000 copies.[34] The feat fabricated Here Nosotros Go Again the 4th album of 2009 under the Disney Music Group to peak at number one.[34] In its second week, the anthology fell to number eight with 39,000 copies sold.[35] At the end of 2009, the album ranked at number 109 on Billboard 's year-end chart.[36] Equally of July 2014, the anthology has sold 496,000 copies in the Us according to Billboard.[37]
In Canada, the album entered the Canadian Albums Chart at number five,[38] and stayed on the nautical chart for 5 weeks.[39]
In Australia, the anthology spent one week at number 40 on the ARIA Albums Chart.[40] In New Zealand, it debuted at number ten and spent a total of nine weeks on the nautical chart.[41] In United mexican states, Here We Get Once again debuted at number 45 on the Height 100 Mexico nautical chart and reached its top position of 25 in its 2d week.[42] Beyond Europe, the album debuted at number 36 in Greece and afterward reached number 5.[43] In Espana, the album spent xiii weeks on the chart and peaked at number 35.[44] In early 2010, Here We Go Again fabricated its debut at number 199 on the UK Albums Chart,[45] and number 141 on the Oricon albums nautical chart in Nippon.[46] In October 2011, the anthology debuted and peaked at number 88 on the Ultratop chart in the Flemish region region of Belgium.[47]
Promotion [edit]
Lovato performing the title track during A Special Night with Demi Lovato
Radio Disney presented the world premiere of Here Nosotros Go Again on July 18, 2009, during the programming Planet Premiere, where Lovato was interviewed by host Ernest "Ernie D" Martinez.[48] The album was replayed on the station the adjacent solar day, and available for streaming on Radio Disney'southward website from July eighteen through July 24, 2009.[48] On July 17, 2009, Lovato appeared on The Tonight Show with Conan O'Brien to perform the album's title rail.[49] On July 23, they performed the single alongside the anthology cut "Catch Me" on Adept Morning America, while performing the single only on Late Dark with Jimmy Fallon and The View subsequently the aforementioned twenty-four hour period.[l] [51] To promote the album's UK release, Lovato appeared on radio BBC Switch and logged into Habbo Hotel to conversation with their British fans in January 2010.[52] They later performed "Call up Dec" on The Alan Titchmarsh Show on January 29, 2010.[52] They were as well interviewed on British television programs such as Blue Peter, Daily Set Chart Bear witness, Alive from Studio V, Freshly Squeezed and T4.[52]
To promote the anthology, Lovato embarked on their concert tour, Demi Lovato: Live in Concert. The tour began on June 21, 2009, in Hartford, Connecticut and previewed new songs from Here We Go Once more, including "Call back Dec", "Stop the World" and "U Got Nothin' on Me".[53] It was confirmed on Apr 15, 2009, that David Archuleta would serve as the bout's opening deed, with songstress Jordan Pruitt and girl group KSM joining on select dates.[54] Lovato appear the collaboration with Archuleta on their Myspace blog, where they as well wrote, "I'yard so excited about headlining my own bout. I honey life on the road. I'm in a unlike city every dark, and it never gets former."[54] Tickets for the tour went on auction on April 25, 2009, only a special pre-auction offer was made available through Lovato's newly launched official fan club on April 15.[55] The tour was produced past AEG Alive and sponsored by AT&T and Pick Hotels.[56]
Singles [edit]
"Here We Go Once again" was released as the anthology's lead single on June 23, 2009, via digital download.[57] The song made its debut at number 59 on the Billboard Hot 100 and managed to peak at number 15, becoming Lovato's highest peaking solo single at the time.[58] Elsewhere, the song peaked at number 68 on the Canadian Hot 100 and 38 in New Zealand.[59] Disquisitional reception of the vocal was generally positive, with critics comparison it to Kelly Clarkson.[ane] [27] [28] The music video was directed by Brendan Malloy and Tim Wheeler.[60] The vocal has sold over 820,000 copies and was certified Platinum in the United states of america.[61]
"Recall Dec" was released on January xviii, 2010, only in Europe, equally the second and final single from the anthology. It wasn't released in North America. The vocal peaked at number 80 on the UK Singles Chart and received generally positive reviews from critics, who praised its hook and chorus.[1] [iii] [62] "Remember December" was directed by Tim Wheeler and features guest appearances from Lovato's female co-stars in their upcoming television film Camp Rock ii: The Terminal Jam. Instead of having a beloved interest in the video, Lovato chose to give it a girl empowerment theme, saying that it is most "being fierce" and "taking control as a daughter".[24]
Track listing [edit]
| No. | Championship | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Hither We Get Again" |
| SuperSpy | 3:46 |
| ii. | "Solo" |
| John Fields | 3:15 |
| 3. | "U Got Nothin' on Me" |
| SuperSpy | 3:38 |
| 4. | "Falling Over Me" |
| Fields | 4:06 |
| v. | "Quiet" |
| Fields | 2:45 |
| 6. | "Catch Me" | Lovato | Fields | 3:x |
| 7. | "Every Time You Lie" |
| Fields | 3:49 |
| viii. | "Got Dynamite" |
| Clark | 3:25 |
| 9. | "Stop the Earth" |
| Fields | 3:34 |
| 10. | "World of Chances" |
| Fields | 2:51 |
| eleven. | "Remember December" |
| Fields | 3:12 |
| 12. | "Everything You're Non" |
| Fields | iii:43 |
| 13. | "Souvenir of a Friend" (Bonus Rail) |
|
| iii:25 |
| 14. | "And so Far, And so Great" (Bonus Rails) |
|
| 2:15 |
| Total length: | 46:50 | |||
| No. | Title | Writer(s) | Producer(south) | Length |
|---|---|---|---|---|
| fifteen. | "Don't Forget" |
|
| 3:43 |
| xvi. | "La La Land" |
|
| 3:sixteen |
| Total length: | 53:49 | |||
| No. | Title | Author(s) | {{{extra_column}}} | Length |
|---|---|---|---|---|
| 15. | "Hither Nosotros Become Again" (Sunset in Ibiza Remix) |
| SuperSpy | four:23 |
| No. | Title | Length |
|---|---|---|
| 16. | "Hither Nosotros Go Over again" (music video) | |
| 17. | "Here We Become Again" (live performance at Wembley Arena) | |
| 18. | "Remember December" (music video) | |
| 19. | "Making of Call up Dec" |
| No. | Title | Length |
|---|---|---|
| 1. | "La La Land" | |
| 2. | "Become Back" | |
| three. | "Don't Forget" | |
| 4. | "Here We Go Again" | |
| five. | "Trainwreck" | |
| 6. | "Until You lot're Mine" | |
| vii. | "Two Worlds Collide" | |
| 8. | "Call back December" | |
| 9. | "Party" |
Sampling credits
- "Got Dynamite" contains acoustic drum samples from Geoff Dugmore's "Savage Beats" from Zero-G.[20]
Credits and personnel [edit]
Credits for Here We Go Once more are adapted from the album's liner notes.[20]
- Demi Lovato – lead vocals, pianoforte, guitar
- Aris Archontis – producer, mixing
- Tommy Barbarella – synthesizer
- Michael Bland – drums, programming
- Ken Chastain – percussion, programming
- Daphne Chen – violin
- Lauren Chipman – viola
- Gary Clark – producer, instruments, programming
- Bob Clearmountain – mixing
- Mathew Cooker – cello
- Jason Coons – engineer
- Dorian Crozier – engineer, drums
- Andy Dodd – producer
- Richard Dodd – cello
- Geoff Dugmore – drums
- John Fields – producer, drums, bass guitar, keyboards, mixing, percussion, programming, background vocals
- Mher Filian – keyboards, programming
- Nikki Flores – background vocals
- Eric Gorfain – violin
- Paul David Hager – mixing
- Isaac Hasson – programming, synthesizer
- Nick Jonas – guitars, drums, background vocals
- Chris Lord-Alge – mixing
- Stephen Lu – string arranger, conductor, string
- Jeannie Lurie – producer
- John Mayer – guitars
- Jon McLaughlin – piano, synthesizer, background vocals
- Steven Miller – engineer
- Chen Neeman – producer
- Sheryl Nields – photography
- Will Owsley – guitar, synthesizer, background vocals
- Radu Pieptea – violin
- Wes Precourt – violin
- Lindy Robbins – background vocals
- David Sage – viola
- Simon Sampath-Kumar – engineer
- David Snow – creative direction
- SuperSpy – producers, engineers
- Gavin Taylor – fine art direction, pattern
- Jesse Owen Astin - Guitars
- Adam Watts – producer
Awards and nominations [edit]
| Year | Laurels | Category | Result |
|---|---|---|---|
| 2010 | Teen Pick Awards | "Choice Popular Album" | Nominated |
Charts [edit]
Certifications [edit]
Release history [edit]
See besides [edit]
- List of Billboard 200 number-one albums of 2009
References [edit]
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- ^ a b "Here Nosotros Become Again Album Review". Plugged In. Archived from the original on Dec 23, 2015. Retrieved December 27, 2015.
- ^ a b c d e f g h i Erlewine, Stephen Thomas. "Here We Become Over again – Demi Lovato". Allmusic. Rovi Corporation. Retrieved Oct nine, 2011.
- ^ "Demi Lovato". PopMatters. Archived from the original on October 7, 2015. Retrieved August 29, 2015.
- ^ Lynch, Joe. "Solo Artists Who Scored a No. one Album Earlier Turning 18". Billboard . Retrieved May 23, 2021.
- ^ a b "Ask Billboard: Demi Lovato's Career Album & Song Sales". Billboard. October 15, 2017. Archived from the original on October 15, 2017. Retrieved October 15, 2017.
- ^ a b c d e f g h i j Caramanica, Jon (July 15, 2009). "Tween Princess, Tweaked". The New York Times. Archived from the original on March fifteen, 2013. Retrieved October 9, 2011.
- ^ a b c d Moser, John J. (June 22, 2009). "Disney singing awareness Demi Lovato ready for new album, beginning tour as headliner". The Victoria Advocate. Victoria Advocate Publishing Co. Archived from the original on Baronial 18, 2013. Retrieved July 20, 2011.
- ^ Donahue, Amy (June xv, 2008). "Jonas Brothers thrilling tweens". Reuters Group Limited. Archived from the original on October 21, 2012. Retrieved October nine, 2011.
- ^ Harris, Chris (August 28, 2008). "Demi Lovato Calls On Jonas Brothers For Help With Debut LP, Onstage Tumble". MTV News. Viacom. Archived from the original on Dec 1, 2011. Retrieved October 9, 2011.
- ^ Harris, Chris (Oct one, 2008). "Metallica Are #one For Third Week In A Row, Every bit Death Magnetic Nears Million-Sold Marking". MTV News. Viacom. Archived from the original on November seven, 2012. Retrieved Oct 9, 2011.
- ^ "Demi Lovato - Gold & Platinum". Recording Manufacture Association of America. Archived from the original on January 7, 2016. Retrieved Jan 13, 2016.
- ^ a b Vena, Jocelyn (Jan 27, 2009). "Demi Lovato Looking To Accept 'John Mayer-ish' Songs On New Album". MTV News. Viacom. Archived from the original on August 5, 2011. Retrieved October 9, 2011.
- ^ a b Reynolds, Chas (May i, 2009). "Interview: Demi Lovato". Artistdirect. Rogue Digital. Archived from the original on October 29, 2013. Retrieved Oct 9, 2011.
- ^ a b c d eastward f k Farber, Jim (June 20, 2009). "Demi Lovato mellows out with 'Here Nosotros Go Again'". New York Daily News. Mortimer Zuckerman. Archived from the original on June 26, 2009. Retrieved October 9, 2011.
- ^ a b c d eastward f Vena, Jocelyn (July 21, 2009). "Demi Lovato Gets Personal On Here We Get Again". MTV News. Viacom. Archived from the original on December 22, 2011. Retrieved October 9, 2011.
- ^ a b "Demi Lovato shows mature side on new CD". The Repository. GateHouse Media. Associated Press. July 29, 2009. Archived from the original on Baronial viii, 2009. Retrieved December eighteen, 2011.
- ^ a b c d due east f Axelrod, Nick (July 1, 2009). "Tween Queen: The Rise of Demi Lovato". Women's Article of clothing Daily. Fairchild Fashion Group. Archived from the original on January 29, 2012. Retrieved October 10, 2011.
- ^ a b Kaufman, Amy (September 23, 2011). "Demi Lovato's rebirth". Los Angeles Times. Archived from the original on December 31, 2011. Retrieved October 8, 2011.
- ^ a b c Hither We Become Again (CD). Demi Lovato. Hollywood. 2009. D000349302.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ a b c d e f chiliad h i j grand Holz, Adam R. "Here Nosotros Go Again". Plugged In. Focus on the Family. Archived from the original on Apr 4, 2012. Retrieved October 9, 2011.
- ^ a b c d Vozick-Levinson, Simon (July 15, 2009). "Here Nosotros Get Once more Review". Amusement Weekly. Time Warner. Archived from the original on October xiv, 2012. Retrieved October 9, 2011.
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Source: https://en.wikipedia.org/wiki/Here_We_Go_Again_(Demi_Lovato_album)
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